About Us

“Dire” is a Visayan word for “here” and “Husi“ is a Manobo word for “friend.”

We are a youth organization, a creative social enterprise, an artisan collective, a band of world musicians, a training hub, and a fair trade advocate.

If that already sounds a bagful, wait and see, because we believe that with faith and dreams, we could be so much more.

Wednesday, May 18, 2016

Street kid turned missionary: The story of Paulo (This is a story of how a street child overcame all challenges and became a missionary for others ) by: Bobby Lagsa

CAGAYAN DE ORO, Philippines – When Florante “Paulo” Talampas was just a baby, he was sold by his drunkard father to Wennie and Beth Luna for P500 ($11.26) to buy liquor.
Born to Florante, Sr., and to Elena, a mother he never met, Paulo lived a life full of strife and tribulation.
“I never knew my father, and I never met my mother. I was between homes and rescue centers, and spent 10 years of my childhood life in the streets,” Paulo said.
Wennie and Beth Luna took care of him as a baby. He was, however, eventually transferred to Beth’s sister, Daisy Galendez. When Paulo was 3 years old, the Galendezes had a baby. Everything then changed.
“I was treated cruelly by Daisy, but uncle Romy was kind to me,” Paulo recalled.
When he was 6 years old, he got lost during one of his walks in the city. Paulo stayed in the park until he was taken by the rescue staff of the city government-owned Tahanan ng Kabataan.
He stayed there for weeks until one of the kids asked him to join their escape. He ended up in the streets of Divisoria. Paulo recalled that he was again rescued and sent to the House of Love, a rescue center where he spent a year.
Florante Talampas' photo as a street child in Plaza Divisoria, Cagayan de Oro City.



Florante Talampas' photo as a street child in Plaza Divisoria, Cagayan de Oro City.
Paulo’s adoptive parents refused him when he was brought back to their home. He was told of his true identity. They told him it was better for him to stay with the shelter.
“I was told of my real identity, who my father, my younger brother and my older sister,” Paulo said.
In 2000, the 8-year old Paulo then hit the streets of Cagayan de Oro City, marking the start of his 10-year journey of, in his own term, “God’s preservation of me for a purpose”.
Different from the rest
Paulo shared that he feels different from the other street children, like Rusty Quintana whom he became friends with.
“The other street children will do drugs after we get some money from scavenging. I, on the other, hand would spend my money in the Internet café, reading, and playing games,” Paulo said.
He was addicted to video games. That was his drug. The Internet cafés also provided him shelter at night.
After a scavenging run, and selling their finds, Paulo would set aside money for food, “while the other street children would just disappear,” Paulo said.
Paulo said that when he has no money, the only way to satisfy his hunger was to scavenge food from the garbage. (Read: Meal of the day: 'Pagpag')
“We would dig for fried chicken, burger … That was very tough,” Paulo recalled.
Life with Deri Husi
Like his friend Rusty Quintana, in 2010, he would spend time in Deri Husi halfway house in Barangay (village) Nazareth together with other stowaways.
Rhyan Casino, founder and executive director of Deri Husi Initiative said that Paulo is an “overcomer,” someone who takes decisive actions to change their lives.
At the Deri Husi, Paulo learned to use art as a transformation tool. Paulo and Rusty would do human statue, fire dancing, crafts, paintings and percussions. Paulo also learned how to beatbox, and was elected as president of the Oro BeatBox.
“I gained some insight on leadership as the president. We found gigs and earned some. We learned new skills and incorporate that in our group,” Paulo added.
Life for a mission
When Typhoon Sendong (Washi) destroyed the home of the Lunas, Paulo, volunteered to look after their tent in an evacuation center.
There, Paulo met missionaries and pastors that would change his life.
Paulo said that Pastor Jun Managantan caught his attention. He found himself looking forward to their activities at the evacuation center.
Pastor Managantan then suggested to Paulo that he join the 2012 summer youth camp with the Teens Mission International in Buenavista, Agusan del Norte. In June 2012, Paulo joined the institution as a full-time student taking a diploma in the Bible.
Life in teen mission international
Paulo came to appreciate his life as he was studying at the TMI.
“We were provided food and shelter for free as students, but we need to source our own allowances,” Paulo said.
Florante Talampas during his graduation at the Teens Mission International in Buenavista, Agusan del Norte.



Florante Talampas during his graduation at the Teens Mission International in Buenavista, Agusan del Norte.
“God preserved me while I was in the streets, for a purpose only God knows,” Paulo said.
He added that life in the streets is a constant battle to stay alive.
“Anytime you can get killed. You can get sick. You can get arrested,” Paulo said. He came to appreciate life as a missionary, too
“I almost gave up while at the school. I have no money, it was so depressing. I have nothing to buy for my own hygiene,” Paulo said.
“You know that verse, 'Seek ye first the kingdom of God and all his richness will be bestowed upon you?' That is God’s promise that there will be abundance,” Paulo said.
“By the grace of God and by faith, some friends have contributed for my allowances, especially Rhyan,” Paulo said.
Paulo added that there were times during his missionary works when he had to walk for hours because he had no fare.
But that long walk also provided him some solitary time to commune with God. “The pastors prayed for me. They give me encouragement. They give me the moral support,” Paulo said.
On May 10, 2015, Paulo graduated at the TMI with a Diploma in Ministerial works, a 3-year course that led him to a life as a missionary.
Preparing for missionary work
“I am preparing to do God’s work, to be a preacher and organizer,” Paulo said with a smile.
Rhyan said that Paulo has a longing to get out, that in just one week, he was already able to organize the children in the community as his first project.
“I want to do children ministry, or be a pioneer and start my own church,” Paulo said.
Paulo is also planning to take the Alternative Learning System (ALS) of the Department of Education so he would qualify to take up theology. Paulo also hopes to visit his mother whom he never met in Davao.
“I am excited to meet her, and make her proud of what I made of myself,” Paulo said.
Paulo is now waiting for the approval to work with Youth with a Mission (YWAM) as missionary worker.
“This life as a missionary, I am excited for it. God has kept me safe all my life for this purpose, to serve and glorify him,” Paulo said. - Rappler.com

Friday, July 31, 2015

Songs, Stories, and Simulacra (Art straight from the Filipino heart) by Christina C. Espina A feature by FULLY BOOKED issue no.7 vol. 6



Rhyan Casiño:
Finding the Music



photography by Aries Guinto
   
Rhyan in Tigwahanon garb during a recording
session of genuine Manobo, Tigwahanon music at Wombworks Recording Studio
 Another one of his endeavors geared towards preserving our tribal music.
Some musicians like to say  that you don't choose your instrument: your instrument chooses you.



This certainly explains Rhyan Casino's musical path. As a university student, he longed to master the guitar, played bass in a band, and even look Classical Guitar lessons. Eventually, however, he concluded that "the instrument (was) just not for me". It wasn't until he saw the Talaandig tribal hand drum for the first time (or perhaps, until the drum saw him) that everything finally clicked. "I began playing it (but) friends thought that had been playing it for (some) time....
It just felt so natural to me."
This was just the first step on a musical journey that would go on to cover more ground - literally - than Casino could have anticipated. "I went to the mountains of Bukidnon and became friends with the Talaandig artists... I really felt that I belonged."



Soon, he became part of a tribal band, "the only non - Talaandig member of the group." From 2001 to 2005, the band created "beautiful world music" by weaving together the tribe's traditional percussions and |the western paradigm." They toured Mindanao and the Visayas, and even recorded an album, before finally disbanding.


photography by Aries Guinto
Indakolon band:( Rhyan on the middle with his foster father
Datu Nilo Gabao, and foster mother Bae Norita;
with S
ammy Assuncion, frontman 
of Kalayo (formerly pimakpikan band)
A year later, Casino became the only non - Manobo member of a Matigsalug tribal band. This time, he learned to blend "young tunes" with traditional chants and the tone of the kudlong (two-stringed guitar). Yet, after another year of many concerts, the members went their separate ways.


Indigenous music continued to draw the urban-born Casino, and in 2007 it led him all the way to San Fernando, Bukidnon, "the hinterland of the Tigwahanon people," where he found a new gig playing "unadulterated" tribal music. It was also here that he met Datu Nilo Gabao, one of the most significant figures in his life. "He adopted me (into) his family, and we formed a band with his wife Bae Norita." The band called itself Indakulon, the Tigwahanon word for "to grow".



Ironically, it was settling with the Tigwahanon that helped Casino realize that his deram to share indigenous music encompassed more than a single tribal tradition - or a single indigenous art. This dream led to the formal organization of the Dire Husi Tribal Band early in 2009.



Dire is the Visayan word for "here", while "husi" is the Manobo word for "friend." Together they are a perfect combination for an eclectic group of "young indigenous talents...from different background - an Umayam tribe, a Higaonon tribe, (and a) Manobo tribe - coming together to create a Mindanao sound, infused with a bit of Western discipline." Casino describes their sound as "enthralling and upbeat world music."



Yet what really makes the Dire Husi Tribal Band stand out is its members' dual talents as musicians and as "craftsmen and visual artists." Hoping to popularize traditional chants and crafts among urban Filipinos, they are beginning with guerrilla marketing. "(This) May 25", for instance, "we will be doing a campus run (of) high end universities (in) Metro Manila...



It is an endeavor cultural at heart and national in vision, and Casino and his band hope to reach even urban music lovers and fashionistas. Likely drawing on his experience as a member of a band and of a tribe, Casino concludes, "many hands can do great things."


a feature of 

FULLY BOOKED magazine
Issue NO.7 Vol 6
June-July 2009

Thursday, July 23, 2015

A MAN OF ART featuring Rhyan Casiño by: Mr. Mark Francisco Urban Life Gold Star Daily Newspaper Jan. 31, 2014


ART connoisseurs in Cagayan de Oro can already recognize the name Rhyan Casiño, but there's more to this man than just by being an artist. Rhyan is actually also a percussionist, an advocate for the indigenous people, a passionate Christian adopting street kids in his home, an event organizer, and a talent ,manager rolled into one. On top of that, he's also the National Commission for Culture and the Arts (NCCA) visual arts coordinator for Northern Mindanao. 

But the road to being a multi - tasking public persona was not an easy one.

During his elementary days, Rhyan was already sketching He - Man and Thundercats characters. Then high school cane and Rhyan temporarily shelved his art inclinations to pursue a rock star lifestyle. He became a bass player in several bands but the fast high school life proves too stressful for him that he has to retreat to Central Mindanao University (CMU) to give himself some moments of reflection.. and so the journey to his true calling began.

In CMU, he rediscovered his art inclination by doodling grafitti on the wall of his dorm room. He soon found his way back to CDO and enrolled at Xavier University. Rhyan joined Circulo de Arte' and became its president from 1998 - 1999. During his stint, he was able to steer the group beyond the campus and joined mainstream exhibits here, in Limketkai as well as Consuelo's. Yet Rhyan was still restless - he jumped from one program to another (Mechanical Engineering, Electronics and Communication Engineering, Chemical Engineering and Animal Science). He decided to quit. "I cannot imagine myself becoming an agriculturist. I need to pursue full time in the arts," Rhyan quipped in this interview. The decision was not without cost. There was a time that he missed eating meals for four straight days. Eventually, rewards started trickling in.

Through friends he made with Circulo de Arte', Rhyan was able to organize Grupong Biswal in 2000 and they held art exhibits here. One of his art patrons invited him to Kaamulan Festival in 2001 and
he was introduced to some Talaandig leaders there. It was at this time that Rhyan's musical inclination was put into motion. The Talaandig tribe taught him to play indigenous musical instruments such as palundag, kubing and percussion. He ditched the rock genre and embraced the tribal scene - he became a member of the Dulang Hu Kidab. Together they toured all over Visayas and Mindanao especially during fiestas. It was in one of those gigs in Camiguin in 2004 that Rhyan met Shamae, also a visual artists like him.

The two fell in love then decided to settle down. They got married in a beach resort in Mambajao. It was actually a concert wedding as tribal musicians from as far as Cebu serenaded the couple. Married life didn't stop Rhyan to be an advocate for the indigenous people. Rhyan was able to convince his wife to immerse with him in 2006 to a Tigwahanon community in barangay Kibongcog, San Fernando, Bukidnon. Because the place is just beside the highway, Rhyan galvanized the Tigwahanons to establish an arthouse there so they could sell their handicarafts and teach the younger generation on how to make those crafts. Then the idea shaped in his head - why not bring the Tigwahanons' handicrafts to CDO so they could sell more?

So Dire Husi initiatives was born and was registered in 2006 at the Department of Trade and Industry (DTI) initially as a craft and accessories producer. Back then, social media was still in its infancy. Yet Rhyan's fame slowly spread and he was selling handicarafts as far as Inramuros during the yearly


Pasundayag fair of the Department of Tourism (DOT), the Gensan Island fair down to south as well as various universities and colleges here. One evening while doing sketch portraits of some street kids in Divisoria, another idea formed into Rhyan's head - what if given the chance, these street kids could be taleted? What if they could make handicrafts, too? Rhyan Casino pitched the idea of establishing a center for the talented street kids to the British Council's I am a Changemaker contest in 2007. Rhyan'as entry won and Dire Husi Initiatives was awarded P1000,000 as  a grant. Rhyan used the money to establish the Dire Husi arthouse at 9th - 21st St. Nazareth. Soon, other out-of-school and marginalized youths began to frequent there. Some of theme were not just skilled in



handicrafts making, they were also adept in in other entertainment talents such as firedancing, unicycling, magic performing, henna tattoing, etc. One of those street kids is now himself a success story, Rusty Quintana, a graduating BS Devcom student from Xavier University who recently starred in the local indie film.

Dire Husi's fame grew that in 2012, President Aquino himself bestowed the group the coveted Ten Accomplished Youth Organization (TAYO) award. Because of the diverse talents in his fold,


 Rhyan began to venture into talent management and event organizing in 2013 under the umbrella of R Productions.

R Production has in its fold Vital Signs Acoustics as well as a range of talents from human beat boxers to flash mob dancers. They maintain regular gigs at limketkai Center, Centrio and Lifestyle District, among others. So what's in store for Rhyan for the next two years and beyond?

Right now, an album of Vital Signs Acoustics is in the works. Meanwhile, the arthouse at Nazareth has transferred to Upper Puerto and Rhyan will be transforming it into a cafe soon for Bukidnon - boung tourists to drop by and relax while appreciating the paintings and other artworks there. Of course, Rhyan continues to painting canvasses in vatious media - watercolor,charcoal,soil, cofee etc. He has clients as far as United States who nerely order his artworks online. Despite those successes, the 36 year old Rhyan Casino never forgets that everything he's doing is all for GOD's glory. Every morning, he rallies the dozen street kids in his care at Upper Puerto to a Bible study, praising GOD.

Rhyan Casino is Mindanao Gold Star Daily Urban Life's Promoter for the Arts for the weekend issue.


This article was featured at the Urban Life Gold Star Daily Newspaper Jan. 31, 2014

Monday, July 6, 2015

Street kid turned missionary: The story of Paulo By: Bobby Lagsa



CAGAYAN DE ORO, Philippines – When Florante “Paulo” Talampas was just a baby, he was sold by his drunkard father to Wennie and Beth Luna for P500 ($11.26) to buy liquor.
Born to Florante, Sr., and to Elena, a mother he never met, Paulo lived a life full of strife and tribulation.
“I never knew my father, and I never met my mother. I was between homes and rescue centers, and spent 10 years of my childhood life in the streets,” Paulo said.
Wennie and Beth Luna took care of him as a baby. He was, however, eventually transferred to Beth’s sister, Daisy Galendez. When Paulo was 3 years old, the Galendezes had a baby. Everything then changed.
“I was treated cruelly by Daisy, but uncle Romy was kind to me,” Paulo recalled.
When he was 6 years old, he got lost during one of his walks in the city. Paulo stayed in the park until he was taken by the rescue staff of the city government-owned Tahanan ng Kabataan.
He stayed there for weeks until one of the kids asked him to join their escape. He ended up in the streets of Divisoria. Paulo recalled that he was again rescued and sent to the House of Love, a rescue center where he spent a year.
Florante Talampas' 
Paulo’s adoptive parents refused him when he was brought back to their home. He was told of his true identity. They told him it was better for him to stay with the shelter.
Florante Talampas' photo as a street child in Plaza Divisoria, Cagayan de Oro City.
Florante Talampas' photo as a street chil
d in Plaza Divisoria, Cagayan de Oro City
.
photo credits by Anj Paz
“I was told of my real identity, who my father, my younger brother and my older sister,” Paulo said.
In 2000, the 8-year old Paulo then hit the streets of Cagayan de Oro City, marking the start of his 10-year journey of, in his own term, “God’s preservation of me for a purpose”.
Different from the rest
Paulo shared that he feels different from the other street children, like Rusty Quintana whom he became friends with.
“The other street children will do drugs after we get some money from scavenging. I, on the other, hand would spend my money in the Internet café, reading, and playing games,” Paulo said.
He was addicted to video games. That was his drug. The Internet cafés also provided him shelter at night.
After a scavenging run, and selling their finds, Paulo would set aside money for food, “while the other street children would just disappear,” Paulo said.
Paulo said that when he has no money, the only way to satisfy his hunger was to scavenge food from the garbage. (Read: Meal of the day: 'Pagpag')
“We would dig for fried chicken, burger … That was very tough,” Paulo recalled.
Life with Deri Husi
Like his friend Rusty Quintana, in 2010, he would spend time in Deri Husi halfway house in Barangay (village) Nazareth together with other stowaways.
Rhyan Casino, founder and executive director of Deri Husi Initiative said that Paulo is an “overcomer,” someone who takes decisive actions to change their lives.
At the Deri Husi, Paulo learned to use art as a transformation tool. Paulo and Rusty would do human statue, fire dancing, crafts, paintings and percussions. Paulo also learned how to beatbox, and was elected as president of the Oro BeatBox.
“I gained some insight on leadership as the president. We found gigs and earned some. We learned new skills and incorporate that in our group,” Paulo added.
Life for a mission
When Typhoon Sendong (Washi) destroyed the home of the Lunas, Paulo, volunteered to look after their tent in an evacuation center.
There, Paulo met missionaries and pastors that would change his life.
Paulo said that Pastor Jun Managantan caught his attention. He found himself looking forward to their activities at the evacuation center.
Pastor Managantan then suggested to Paulo that he join the 2012 summer youth camp with the Teens Mission International in Buenavista, Agusan del Norte. In June 2012, Paulo joined the institution as a full-time student taking a diploma in the Bible.
Life in teen mission international
Paulo came to appreciate his life as he was studying at the TMI.
“We were provided food and shelter for free as students, but we need to source our own allowances,” Paulo said.
Florante Talampas during his graduation at the Teens Mission International in Buenavista, Agusan del Norte.
Florante Talampas dur                                 Florante Talampas during his graduation at the Teens Mission International
                                                                                             in Buenavista, Agusan del Norte.
“God preserved me while I was in the streets, for a purpose only God knows,” Paulo said.
He added that life in the streets is a constant battle to stay alive.
“Anytime you can get killed. You can get sick. You can get arrested,” Paulo said. He came to appreciate life as a missionary, too
“I almost gave up while at the school. I have no money, it was so depressing. I have nothing to buy for my own hygiene,” Paulo said.
“You know that verse, 'Seek ye first the kingdom of God and all his richness will be bestowed upon you?' That is God’s promise that there will be abundance,” Paulo said.
“By the grace of God and by faith, some friends have contributed for my allowances, especially Rhyan,” Paulo said.
Paulo added that there were times during his missionary works when he had to walk for hours because he had no fare.
But that long walk also provided him some solitary time to commune with God. “The pastors prayed for me. They give me encouragement. They give me the moral support,” Paulo said.
On May 10, 2015, Paulo graduated at the TMI with a Diploma in Ministerial works, a 3-year course that led him to a life as a missionary.
Preparing for missionary work
“I am preparing to do God’s work, to be a preacher and organizer,” Paulo said with a smile.
Rhyan said that Paulo has a longing to get out, that in just one week, he was already able to organize the children in the community as his first project.
“I want to do children ministry, or be a pioneer and start my own church,” Paulo said.
Paulo is also planning to take the Alternative Learning System (ALS) of the Department of Education so he would qualify to take up theology. Paulo also hopes to visit his mother whom he never met in Davao.
“I am excited to meet her, and make her proud of what I made of myself,” Paulo said.
Paulo is now waiting for the approval to work with Youth with a Mission (YWAM) as missionary worker.
“This life as a missionary, I am excited for it. God has kept me safe all my life for this purpose, to serve and glorify him,” Paulo said
written by: Bobby Lagsa

Wednesday, July 3, 2013

Rhyan Casiño... an Unsung Hero by April Nestlie Awiten Piasan



Rhyan Casiño is a believer in the greatness of each individual, an artist full of hope for the potentials of the youth and a passionate advocate of our cultural heritage. By touching lives through music and the arts, Rhyan is shifting paradigms as he encourages people to understand their self worth, paving the way for them to reach greater heights. 

Rhyan started his journey in 2001 when he was exposed to the seven tribes of Bukidnon. He immersed himself with the Talaandig tribe and developed a deep appreciation of culture, especially the indigenous music.
 

In 2003, Rhyan decided to bring back cultural awareness by reigniting the young generation and bridging the indigenous people to the urban people; emphasizing that our cultural heritage is not just something you read about- it is real. Rhyan partnered with the Department of Tourism- Region X to promote the culture of the tribes featuring real tribal people in various conventions, symposia, the Philippine Travel Mart and other DOT activities. Rhyan aptly became the Cultural Coordinator of the Gardens of Malasag Ecotourism Village, which is managed by the Philippine Tourism Authority.
 

In 2008, Rhyan saw the growing concern of the indigenous youth, subjecting themselves to the harsh reality of employment and discrimination, and ultimately abandoning their rich culture in order to provide for themselves and their families. Responding to the need, Rhyan established a youth organization for the purpose of reviving indigenous culture: Dire Husi.
 

As Dire Husi’s chairperson, Rhyan made it possible for the organization to win numerous awards. In 2008, Dire Husi won the British Council’s I am a Changemaker grant competition; in 2009, Dire Husi became a finalist of the Ten Accomplished Organizations; and in 2010, Dire Husi was chosen as the representative of the youth sector of the National Anti-Poverty Commission. Dire Husi has also performed in various events like the Pasundayag sa Northen Mindanao Best of the Regions held in Intramuros held in Manila.
 

With Dire Husi’s growing awards and recognition, it became a magnet for the marginalized youth like the street kids and out of school youth. Rhyan started to develop a mentoring/apprenticeship program for the arts e.g. craft making, visual arts, indigenous music. This provided a venue for the troubled youth where they could hone their talents and unleash their creativity. Rhyan envisions this youth to become empowered artists who could compete not only locally, but internationally as well.
 

One of Rhyan’s challenges is sustaining Dire Husi despite the fact that in 2008, he was diagnosed with bone tumor, which would need an operation for the implanting of an artificial prosthesis on the right knee. To this day, Rhyan wears crutches, delaying the much needed operation in order to sustain Dire Husi. Rhyan relies on the performances that the artisans do, which is simply not enough.
 

Still, Rhyan is optimistic of the possibility of crafting fashionable accessories for the affluent youth, and of making a movement that will develop an appreciation of the handiwork of artisans. Rhyan hopes that its ongoing product development and enhancement will open doors for sustainable livelihood. Rhyan’s optimism is fueled by his belief in God, who is always present in his life and never left him in times of great need.
 

Hence, Rhyan is committed to responding to the emotional needs of deprived individuals and even soothing their emotional roller coasters. He wants to balance talent and character and strengthen self confidence. He wants the youth to realize that they can work towards a vision, giving them hope that they can do something, without the need to do drugs and alcohol to express one’s self and creativity.
 

As a cultural coordinator and chairperson the organization, Rhyan makes sure he also has balance in his life. He tries to fulfill his roles as a father, a husband, a son, a mentor, a leader and an artist. But with everything that Rhyan has got going, it is inevitable that he forgets himself in the process and instead selflessly continues on giving, helping, inspiring and sacrificing. But then, I am sure that if I were to ask him, he would tell me that it is all worth it. He will just give me his ever sunny smile and tell me not to worry because there is always a God who gives us hope. That’s Rhyan- an unsung hero of our times.
 

  (Author- Ms. April Nestlie Awiten Piasan)


Thursday, June 20, 2013

ARHTT ATTACK!!! A.K.A. Tingbirds

The first sound is like a frog in the evening, it goes pripit prrriippipit. The second sound is more like bass, it goes dubbb dubdubbb. And the third sound is more like freestyle, pwrrhettt pwrrrheeet phewww.  I’ve heard that routine 4years ago by then a 2009 Brgy. Carmen got talent winner Johnrey Yap a.k.a. tingbirds.  That got talent winner is now the king of CdO’s beatboxers and a force that started the organization for human beatboxers in Cagayan de Oro, the CdO Beatbox.

Human beatbox is a vocal percussion that creates different tune from the mouth. It is also the fifth element of hip-hop. Probably you have of heard of human beatboxing by watching talent shows on TV. One is Beatbox Gore who was one of the grand champions in ABC 5’s Talentadong Pinoy. I remember Beatbox Gore because he was running his 8thconsecutive win when we crossed path in Talentadong Pinoy in the Dome, SM North, Quezon City, my group were shortlisted and we went to manila to compete on national TV, but that’s for another story, next aRHtt attack I’m going to reveal my experience with national talent shows, but as of now, there’s also this Australian Got Talent champion, beatboxer Genesis, a true brown Pinoy who proved to the word about Filipino talent at its finest. There’s a lot of beatboxers if you search on YouTube, but the thing is… we have it here in our city also.



When tingbirds visited Dire Husi 4years ago, he became one of the talents in the organization. Performing on different venues all over the city and Northern Mindanao, tingbirds honed his talents and his performing skills. CdO beatbox came into being after liked passion youngsters gathered to further promote the love of beatboxing. Dire Husi Initiatives, Inc. became its adviser and mentor and tingbirds became its first president. With the likes of Immabeat, Kent, Lawrence and Garbalz who recently performed in Limketkai Mall rotunda, audience are amazed at hearing different beats like techno, dub step, robotics and even hit songs being rendered just using vocal prowess.  Tingbirds performed in malls, parties and big gatherings that he impacted on many youngsters that wants to learn beatbox, it is his dream to make a big beatbox battle that will challenge upcoming beatboxers to excel in beatboxing.

Presently Tingbirds is a student in Xavier University and also the frontman of a ska band the Patatas Band. For parties and events just txt 0917-31-99-429 and ask for tingbirds. Tugtugtag tutug tutug tak, I've gotta move it move it ,I’ve gotta move it move it, I've gotta?... (All) move it!!!.. Wala ba kayong mga kamay diyan…

(The author Rhyan Casiño, is the Chairman of Dire Husi Initiatives, Inc. and the Northern Mindanao Representative for Visual Arts of the National Commission for Culture and the Arts )

ARHTT ATTACK! Urban Life Section Gold Star Daily Newspaper June 2013

                                                                                                                                                                                                                                                                                                                            

Tuesday, June 4, 2013

aRHtt attack!!! Art in Sitio Aura, Mambuaya by: Rhyan Casiño

http://www.rlokals.com/arhtt-attack-art-in-sitio-aura-mambuaya/

How to put a good impression on tourists in the starting point of the white water rafting adventure? Make a nice shop for souvenir items.

Sitio Aura, Mambuaya, Cagayan de Oro city have been the starting point of the basic white water rafting, and for more than a decade the place have experienced a large number of tourist traffic, including national and international celebrities. The Department of Labor and Employment Misamis Oriental West (DOLE Mis.Or. West) and Dire Husi Initiatives, Inc. (DHII) have partnered in helping Cagayan de Oro River Guides and Vendors Association (CDORGAVA) in upgrading their enterprise. For years the wives of the local river guides have been selling in the starting point with products brought in the public market and made not locally but abroad and cheap. A few weeks ago Dire Husi Initiatives headed by ED Julius Verdadero with DHII artisans have taught CDORGAVA crafts making and silkscreen printing, DOLE Mis.Or West have provided the budget for this activity. So they made their own product now, what’s next? Next stop Souvenir shop. Upper Puerto Youth Association (UPYA) members have joined in helping build the souvenir shop of CDORGAVA. These creative youths from barangay Puerto extended their creativity to barangay Mambuaya, putting creative expressions to the floors up to the ceilings of the shop, making the place alive with colors and design. 



May 31, 2013, the souvenir shop of CDORGAVA was opened to the tourist’s public by no less than a powerhouse of guest of honors; DOLE 10 Regional Director Johnson Cañete, DOLE 10 ARD Crispin Dannug Jr., DOLE MisOrWest Provincial Director Atheneus Vasallo also with Brgy. Mambuaya Chairman Agustin Bagongon, CDORGAVA Pres. Russel Lopez, me and 50 plus DOLE 10 staff.
When a tourist arrives in the starting point of the famous white water capital of the country, went out of the jeep, and being greeted by a nice looking shop with products being made and crafted locally. The tourist will be excited to buy bringing nice memories to be shared and recommend to friends. CDORGAVA is blessed to have DOLE 10 and Dire Husi Initiatives as partners for progress. Tourism means jobs.
 the souvenir shop 




of  CDORGAVA
 w/ 
DOLE 10 ARD Crispin Dannug Jr


Saturday, September 18, 2010

Dire Husi: The Performance. Next show on 25 September 2010


We just had an amazing show last night. It's the first time Dire Husi organized our own concert/performance, on a big scale. This was on our Facebook page:

Dire Husi: The Performance
************************************
Dates: 18 & 25 September 2010, 6:00 p.m.

This is a story about youth.
About struggle,
Friendship,
Change.

A story about becoming,
About possibility,
About you, about me.

This is the story in every one of us,
Our story,
The Dire Husi story.

The artisans of Dire Husi worked super hard, conceptualizing the show, practicing, coming up with the amazing pieces. Selling the tickets.

These are young people at their best. They have done an incredible, inspiring and beautiful job. When we see the creative energies present, we can no longer doubt the power of young people.

They performed a total extravaganza, fusing their multiple talents in ethnic music, human beat boxing, stage drawing, poi dancing, human statues, stage musicians and more into one cohesive show, carrying a message of youthdom and change that is powerful.

Do check out the Facebook page of the event for more info. Pictures and video from the first show last night are forthcoming.

Wednesday, April 21, 2010

What has Dire Husi been up to?


Well, it has been a long time since the last post!

If you have been following our Facebook page, you would already know that in this short 10 months, the Art Haus has been saved thanks to your support, Dire Husi won the regional Ten Accomplished Youth Organizations (TAYO) awards, represented Mindanao youth in a number of regional and national conferences, held a series of night workshops to journey, vision and plan together, workshopped on product development, sold our products at various venues and performed at a number of gigs such as the KAAMULAN FESTIVAL, Sungod tu Kamangga Festival, Salotabo Festival, a Pagadian event, Earth Hour CDO launch and UNLEASHED! Check out our Facebook page for the massive array of photos covering these happenings. The artistic capabilities and enterprising side of our artisans continue to grow, much to delight of everyone here.

We also welcomed several new members into our midst -- Tyrone, Lance, Juvy, Markel and Ian, not to mention our friends from Manila, Mark, Shao and Janice, who stayed with us at the Art Haus thanks to Kuya Vince!

Even as we struggled with rent and bills every month, it didn't dampen our spirits. Despite our limited resources (and with Rhyan still on crutches), Dire Husi pushed on with its commitment to youth and community development, finding creative ways to incorporate service into our lives. We celebrated our birthdays with street kids and by doing workshops with tribal communities in far-flung areas. Dire Husi also made special appearances at events that supported our advocacies, such as the Earth Hour launch and UNLEASHED. UNLEASHED will support 50 children from a community living in a garbage dump area, CDO with back-to-school supplies this June.

We are also LOVING Lance's blog on her crazy life with Dire Husi, and a short indie film, PLAWTA, by a group of Xavier students on Rusty Quintana's street struggles. A group of Dire Husi artisans filming a documentary on another Dire Husi artisan, we just adored the dynamics of that!

With this, Dire Husi continues to journey and grow through all the ups and downs. We are closer than ever, everyone supports each other, and we work through the pains, conflicts and discords with determination and a lot of love. Visit us, jam with us, join us. This is the Dire Husi family, our small community of artisans, where all are welcome!

Monday, June 29, 2009

Dire Husi Initiatives


WE ARE manobos, talaandigs,umayamnons, higaonons, artisans, musicians, beadworkers,drummers, painters, travelling merchants, sculptors, k'dlong players, flutists, kubing players, backpackers, social entrepreneurs, fair trade advocates, nature lovers....


Established in 2004, Dire Husi is an organization of indigenous and out-of-school young people in Northern Mindanao. Based in Cagayan de Oro City, the group runs a social enterprise that creates and sells indigenous-inspired terracotta accessories, musical instruments, and soil paintings. Dire Husi also performs “enthralling and upbeat" world music that fuses indigenous chants and rhythms with contemporary beats.



Dire Husi believes in Fair Trade. It adheres to the principles of self-help, social equity, and ecological sustainability.




Vision and Mission
A community of self-reliant and socially-responsible young people collectively reaching their full potential through arts, music, and fair trade


Our Goals
1) Establish a social enterprise that can provide us with alternative income while developing our skills and potentials.

2)Enhance our interpersonal, creative, and business capabilities through mentoring, sharing, and collective learning.

3) Inspire and help organize other community-based youth groups by
involving them in artistic and enterprising activities.

4) Create channels for interconnection, dialogue and concerted action among young people from diverse class, age, gender, and ethnicity.




we want to soil you up

Vote for our idea in ideablob

My Idea

Sunday, June 28, 2009

Wednesday, June 3, 2009

The Campaign






Our Brand Statement: Indigenous is Hip






With the help of UP Diliman Community Development 125 (Communications for Development) Students: Paula, Paulo,Eah, Kaye, Chia, Roger and Grace, we were able to put some form to our brand statement.

Dire Husi Initiatives at WOW Pasundayag, Region 10 Fair




With the help of the Department of Tourism Region 10, Dire Husi will showcase its products at the Wow Pasundayag Region 10 Fair, Intramuros, Clamshell 1 from May 27-June 14. Catch us at Booth 2.

Friday, January 16, 2009

some of our products

Here are some of the items we make.


Hand Thongs


Foot Thong



Necklaces/Amulets



soil paintings

Artsville Dire Husi

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